Tag: sesshoumaru


Why do people love music?

March 4th, 2008 — 2:17am

Removing the sad song from the blog that I had originally added after Edrith had died got me thinking: Why do I love this song?
{Fukai Mori (Deep Forest)}

  • I have no real relations to J-Pop and hardly anything to the Japanese culture outside of Sailor Moon and InuYasha. I cannot understand a single word of it and the English transliterations of the lyrics make no sense to me. And speaking of English lyrics, English version of the song is nearing terrible. So, why on Earth do I love, no obsess over this song?

    I suspect it may have to do with the fact that it was the second ending them for InuYasha; a theme that showed images with a focus on Sesshoumaru, over whom I have been very OCD, but i don’t think that is it. InuYasha introduced me to the song, but I loved it before I became enamoured with Sesshoumaru. Which makes me think about this song:
    {Shinjitsu No Uta (Song of Truth)}

  • Again, I don’t understand one word of it, but I love it. The big difference here is that when I became OCD over Fukai Mori, I went through and downloaded every theme song of InuYasha. In this case, however, I had no images of Sesshoumaru leading me to the story, I just heard the song and adored it. Mind you, once I heard it on the anime, I was jubilant, but only because I already loved the song. I guess I could say that I just happen to love Do As Infinity, which I do, so i guess that may discount my underlying theory, but what about this song?
    {Come}

  • Again, I have a song in Japanese and though there are a few words here and there in English, I still don’t understand 90% of it and yet, I love it. I adore the song and it almost moves me like Aaliyah’s “I Care 4 U” or The Beatles’ “While My Guitar Gently Weeps.” I loved the song before I heard it on InuYasha, long before and this one is not by Do As Infinity. So, now I present my real question: What makes people love music?

    This subject has always fascinated me in regards to instrumental music, but I had always brushed of the idea as simplistic due to the lack of lyrics, meaning that everyone could understand the music and therefore love it. My introduction to InuYasha brought me J-Pop and brought about loads of questions. It’s not like I am totally enamoured with J-Pop and every song I ear. Far from it, but there are songs that just sound good. Take the theme from Bleach. What intrigued me even to watch a little of it was the song. Interestingly enough, once the anime changed themes, I lost interest.

    Here’s another piece of a crazy puzzle. Mos Def, on his album “Black on Both Sides,” there is a song Rock N’ Roll . Most of the song is very hip-hop, but the end of it breaks into mosh-pit worthy thrashing. I like the song up to that point, but why? I love rock music, revel in it, sometimes I prefer it to “my own” cultures hip-hop and definitely over rap, but I don’t like the rock music of that song.

    I have a theory: What separates humans from the other animals is not just our intelligence, but our ability to use that intelligence to create. Since we create, there is something as yet undiscovered in our brains that loves a certain aspect of music that exists outside of nurture, culture and politics. That is how someone can appreciate Bach, Tupac and Do As Infinity on the same iPod.

    Nurture, culture and politics, as much as we hate to think it, shape who we are as human beings Nurture being are close environment, the place where eat, slap, spend most of our time away from the world, culture being farther from us, but represented by a community; this is what tells us that we are an “us” and everyone else is a “them,” culture tells you that that a black American likes rap music and a Southern white American likes country or bluegrass. In other words, culture sucks. Politics is what keeps culture in line. Politics is what makes it seem odd that a white Scandinavian can find fascination in the soulful music of Jill Scott or that a black American can find solace in the seemingly nonsensical words, since she can not understand them, of Japanese rock music. Music breaks all three of these moulds in a way that even literature or visual art cannot. Since music has this remarkable ability, it allows me to ask the question, what gives music its appeal? Why does the song “American Pie” seem to transcend time? How can Chopin’s music still elicit emotions centuries later?

    I wish I knew. I wish I had an answer, but I doubt my finite human mind can truly grasp such ideas. I suppose, for now, my shuffled playlists of John Williams, Jill Scott and The Strokes will simply have to suffice.

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